Nature-Print

Thomas Moore: The Ferns of Great Britain and Ireland (1855)
Moore Pl. 50, Osmunda regalis

Moore’s The Ferns of Great Britain and Ireland was remarkable for its use of the nature-printing technique, an innovative method that captured the intricate details of fern specimens. To create the illustrations, real ferns were pressed into a soft lead plate to produce an impression, which was then transferred to a harder plate for printing. This process allowed the precise textures and vein structures of the ferns to be faithfully reproduced, resulting in highly detailed and scientifically accurate images.

One of the significant advantages of this technique was its ability to produce consistent and durable prints. Unlike hand-drawn illustrations, nature prints ensured a level of accuracy and detail that was unmatched at the time. These prints not only facilitated the study and identification of fern species but also stood the test of time, making Moore’s work a lasting contribution to botanical science and Victorian natural history.

Thomas Moore, 1821-1887
Henry Riley Bradbury, 1829–1860
Moore Pl. 49, Hymenophyllum tunbridgense; H.unilaterale
Moore Pl. 47, Woodsia ilvensis; W. alpina
Moore Pl. 41, Asplenium Ruta-muraria; A. germanicum; A. septentrionale
Moore Pl. 35, Asplenium fontanum; lanceolatum
Moore Pl. 24, Lastrea dilatata Chanteriae

Henry Bradbury’s nature-printing process was an innovative technique that allowed for the precise reproduction of plant details in prints. To create these nature-prints, Bradbury would first carefully select a specimen, such as a fern frond or leaf, and press it onto a lead plate, softening it with oil or wax. This process left an impression of the plant’s texture and details on the plate. The plate was then inked and pressed onto paper, capturing the intricate vein patterns, shapes, and textures of the specimen.

Bradbury’s method was highly regarded for its ability to produce detailed, accurate botanical illustrations that retained the authenticity of the original plant. This technique was instrumental in Thomas Moore’s The Ferns of Great Britain and Ireland, enabling botanists and enthusiasts to examine ferns in remarkable detail and facilitating scientific study by providing a permanent record of the plants’ physical characteristics.

 

Moore Pl. 51, Botrychium Lunaria; Ophioglossum vulgatum; O. lusitanicum
Moore Pl. 42, Scolopendrium vulgare
Moore Pl. 39, Asplenium Trichomanes
Moore Pl. 21, Lastrea spinulosa
Moore Pl. 20, Lastrea cristata uliginosa
Moore Pl. 14, Lastrea Filix-mas
Moore Pl. 9, Polystichum Lonchitis

source: https://www.audubonart.com/product-category/botanical-art/thomas-moore-botanical-art/the-ferns-of-great-britain-and-ireland-antique-originals/